The Addiction

Music

Edge Of Content

$12.97

1.	Our Time Is Now	Play	Our Time Is Now Our Time Is Now ©2006 (lyrics & music by JJ Benson) Hear the crowd – now they’re chanting our name The stadium is rockin’ – ready for the game Take a breath and try to focus in Opportunity is ours to take History right here and now is ours to make Let’s shock the world and show that we can win All the words of the people who doubt us Are gonna make us laugh when they’re raving about us They can’t see it ‘til it’s staring ‘em right in the face Times change and there’s no looking back The wheels are in motion – the train’s on the track So jump on board or you better get out of the way Our time is now… now…. “Thanks for stopping by,” he says “We love your music, but we’re gonna have to pass. It’d be too risky trying to market you. See, it’s all about the bottom line Ya gotta sound just like the bands that we’ve already signed and you gotta look more like you’re 22.” All the words of the people who doubt us Are gonna make us laugh when they’re raving about us They can’t see it ‘til it’s staring ‘em right in the face Times change and there’s no looking back The wheels are in motion – the train’s on the track So jump on board or you better get out of the way Our time is now… now…. Our time is now… You can’t afford to wait – no time to hesitate If you want to create your fate… Rap: We weren’t ready when we started out Takes time – gotta learn what it’s all about So we paid our dues – laid our foundation Now it’s time to take it to the nation - oh – get ready to see our sound and faces on tv What? I know your ass ain’t gon’ believe ‘til the whole world’s singing “I know you wanna be me” It’s true for all y’all – set a goal and never waver, not at all Ya gotta know deep in your soul That the haters tryin’ to bring you down gon’ fall Don’t wait ‘til later – start right now building your elevator Ya gotta take your shot before the clock runs out… Our time is now Lyrics	Our Time Is Now Credits Lyrics & music by JJ Benson Meven - Lead vocals JJ - Keyboards & background vocals Brian Haley - drums Robert Wright - bass & background vocals, additional drums Bryan Pyzer - guitars Rick Lay - percussion Produced, engineered, mixed and mastered by Robert Wright Notes When JJ first came up with the keyboard/string line (hook) of the song, he felt it lended itself to aggressive production and an eventual sync-up with sports in some capacity. It reminded him of the type of adrenaline-rush intro music played prior to kickoff at football games or tipoff at basketball games to hype the crowd, so that theory drove his direction with the lyrics. Highlights: the double-drum sections/fills, Brian Haley's drum solo and the Omen-esque operatic background vocal countermelody during the last chorus. (ps - those aren't actual chimes following the countermelody. That was a shelving bracket tuned!) Info
2.	The Truth	Play	The Truth The Truth ©2006 (lyrics & music by JJ Benson) I guess in me you found the perfect rebound – did it make you feel better? Finally treated right, with lovin’ outa sight – nobody’s made you wetter All the wild nights and all the little lies you told him so that we could be I guess I shoulda seen that lies would end up being told to me eventually When you look into the mirror what do you see? When you lay down at night, tell me how do you sleep - knowing what you’ve done to me? Oh…all these games that you play Oh…will come back and haunt you someday Oh…let me introduce you to a little thing called the truth Like everybody else, I fell under your spell - I let you in my soul When doubts would fill my head, you’d lure me into bed where you knew you had control Unless you’re all alone, you won’t pick up your phone - I guess that shoulda been a clue So full of alibis, ya don’t look me in the eyes, how dumb was I for trusting you? When you look into the mirror what do you see? When you lay down at night, tell me how do you sleep? Look at what you’ve done to me Oh…all these games that you play Oh…will come back and haunt you someday Oh…let me introduce you to a little thing called the truth Lyrics	The Truth Credits Lyrics and music by JJ Benson Lead vocals - Meven Keyboards and background vocals - JJ Benson Bass, background vocals and additional drums - Robert Wright Guitars - Bryan Pyzer Drums - Brian Haley Percussion - Rick Lay Produced, engineered, mixed and mastered by Robert Wright Notes The verses of this bitter send-off to a cheating ex-lover were actually written by JJ in 2003 with an entirely different chorus. Unsatisfied with the hook/chorus, he sent the song to the backburner and let it marinate for several years. In the beginning stages of writing new material for Edge of Content, he pulled the song back out and completely rewrote (and vastly improved) the chorus. Sometimes a song sits unfinished for years before it suddenly demands to be revisited so it can take shape. Highlight: Robert's bass solo. the audio clip inserted at the beginning of the tune is from one of the band's favorite movies, the highly underrated 1981 Albert Brooks film "Modern Romance." Info
3.	Destination Still Unknown	Play	Destination Still Unknown Destination Still Unknown ©2006 (words by JJ Benson & Steven Maldonado; music by JJ Benson, Steven Maldonado, Brian Haley, Josh Merritt & Tim Rosenau) He was all she’d known – Katie had never been alone but she had dreams of something bigger than Tennessee She packed up nineteen years of clothes and memories into two suitcases to try to become the next big thing in the City of Angels but she never thought she’d spend three years waitressing in hopes of landing the role of a girl who’s in love… As she boards the plane, says goodbye to L.A. She’s on her way back home Sees the city fade into yesterday though she’s on her way back home, destination still unknown He took a job with his dad fixing washers and dryers He met a girl named Jane at the Dairy Queen and they fell in love – so they say, but every Saturday they go to a matinee where he quietly hopes that his first love Katie’s face will appear on the screen… As she boards the plane, says goodbye to L.A. She’s on her way back home Sees the city fade into yesterday Though she’s on her way back home, destination still unknown Destination still….and it always will…be unknown As she boards the plane, says goodbye to L.A. She’s on her way back home Sees the city fade into yesterday She’s on her way back home As she boards the plane, says goodbye to L.A. She’s on her way back home As her future fades into yesterday wherever the road may go, destination still unknown Lyrics	Destination Still Unknown Credits Lyrics by Steven Maldonado & JJ Benson Music by JJ Benson, Brian Haley, Steven Maldonado, Josh Merrit & Tim Rosenau Lead vocals - Meven Keyboards & background vocals - JJ Benson Bass, background vocals & additional drums - Robert Wright Guitars - Bryan Pyzer Drums - Brian Haley Produced, engineered, mixed & mastered by Robert Wright Notes This song was originally the brainchild of ex-bandmember Brian Haley, who worked out a rough demo of the groove and basic chord structure with bassist Josh Merritt and guitarist Tim Rosenau in Tim's home studio. Brian brought the demo to JJ & Meven, who loved the feel of the song. After tweaking the chord changes, adding a prechorus and writing a melody, the lyrical direction came easy. A bittersweet testament to the difficulty of following dreams of fame/fortune and balancing that endeavor with finding love nearly wrote itself after the chorus lyric appeared to Meven & JJ. The lack of resolution to the story of aspiring actress Katie and her small-town first love was a deliberate attempt to illustrate the apparent ambiguity of life's direction, and how even when we make conscious life-altering decisions, we're never quite certain what the outcome will be or if we made the right choice. Highlight: Meven's vocal in the breakdown section. Info
4.	The Whole World Is A Mirror	Play	The Whole World Is A Mirror The Whole World Is A Mirror ©2006 (lyrics by JJ Benson; music by JJ Benson, Robert Wright, Bryan Pyzer and Rick Lay) She sees him coming so she crosses the street Looks at her watch so she’ll seem more discreet Heaven forbid that their eyes should meet… She sees another so she does something worse Picks up her pace as she clutches her purse While in her mind reciting lines of Bible verse… There’s saints & there’s sinners – there’s love and there’s hate We get what we give – we choose our own fate Look at little closer if you don’t like everything that you see Try to see beyond your predetermined animosity ‘cause the whole world is a mirror and there’s a whole lot of you in me He checks his bags and he approaches the gate Just four hours ‘til he sees her again Dreams of her smile as he steps aboard the plane Suspicious eyes in aisles 1, 2 and 3 He hears the whispers as he looks for his seat Everyone’s a jury in this land of the free… There’s heroes & martyrs – there’s wrong & there’s right There’s light & there’s darkness – there’s black & there’s white Look a little closer if you don’t like everything that you see Open up your mind and see the truth lies somewhere in-between ‘cause the whole world is a mirror and there’s a whole lot of you in me Lyrics	The Whole World Is A Mirror Credits Lyrics by JJ Benson Music by JJ Benson, Robert Wright, Bryan Pyzer and Rick Lay Lead & background vocals - Meven Keyboards & background vocals - JJ Bass & background vocals - Robert Wright Guitars - Bryan Pyzer Drums - Rick Lay Produced, engineered, mixed & mastered by Robert Wright Notes This lyric and musical idea floated around JJ's consciousness for a few years before materializing as the rehearsals started to take place in preparation for recording Edge of Content. A lyrical statement about prejudice and close-mindedness, this "message" song drives home the band's belief that we're all more closely related than we might sometimes believe, and that the best way to approach every new person we meet is with a clean slate and an open mind. JJ wrote the verses & choruses, but needed the collective creative energy of the band to come up with a bridge. The 80's-meets-the-future approach to the instrumental breakdown (bridge) was a true example of great band collaboration, as the buildup with delay-heavy guitar and layered synths creates the perfect crescendo leading into the dry rhodes&vocal breakdown. Highlight: Robert's bass fills leading back into each phrase of the verses. Also note the effectiveness of his production decision to tune Meven's lead vocal in the prechorus into background harmonies and send them through a vocoder. The atmospheric, nearly robotic pulse and energy of the song is an intentional complement to the lyric -- prejudiced thiking is normally pre-programmed and robotic in nature. Info
5.	So Anyway		So Anyway So Anyway (lyrics & music by JJ Benson) © 2005 This wasn’t the way our story was supposed to end We wrote such a great beginning, then somebody stole my pen so I’m left with no good reason now to even make my bed and all these memories that keep swimmin’ thru the vodka… …in my head This wasn’t the way I thought I’d see us fade away Why can’t we save this disappointment for a more convenient day? Cuz you caught me by surprise and unprepared to dull the pain I’m all out of anesthesia and it looks like….it’s gonna rain So strange – just how fast it all can change Nothing beautiful can ever stay the same It’s all just a game that I’ve grown too old to play But I’m a fool who never learns from his mistakes So anyway… This wasn’t the way I thought I’d plunge to my defeat I figured something more dramatic – something far more indiscreet …and now I’m left to wonder what I didn’t say or do but at least I get to spend my time regretting….something new… So strange – just how fast it all can change Nothing beautiful can ever stay the same It’s all just a game that I’ve grown too old to play But I’m a fool who never learns from his mistakes So anyway… This wasn’t the way our story was supposed to end. Lyrics	So Anyway Credits Lyrics & music by JJ Benson Meven - Lead vocals JJ - Keyboards & background vocals Rick Lay - drums & percussion Robert Wright - bass & background vocals Bryan Pyzer - guitars Produced, engineered, mixed and mastered by Robert Wright Notes A cynical, sad lament on the futility felt after another failed relationship ends, this song was perfectly suited to Meven's honest, intimate vocal delivery. The band toyed with the idea of producing this song as just a piano/vocal ballad, but decided that bigger was probably better when it came to production on this one. Highlight: Little B's searingly emotional guitar solo and the orchestra countermelody soaring underneath it throughout its conclusion. Info
6.	Rewind		Rewind Rewind (lyrics & music by Steven Maldonado & JJ Benson) ©2006 I guess I shoulda’ known it – in a town the size of this Sooner or later, I was gonna see her face again Still I wasn’t ready when she caught me by surprise Tapped me on the shoulder, and I turned and saw those dark familiar eyes I said “I can’t believe it – when did you get back in town?” Said she’s here for a wedding, but she lives down in Atlanta now As we both kept talking, I wondered if she felt it too Inside I was searching for that something that I felt for her in school I always thought that if we met, I’d have so much to say About all this regret & how I still feel the same… All this time I’ve been wondering what I could have done Looking back, second-guessing all my life But sometimes love’s only perfect for a certain place in time Life won’t let your heart rewind She said she’d finally graduated, but wasn’t using her degree She’d gotten married, and they named their daughter “Destiny” I told her that I’m happy, which is basically the truth We made a little small talk, when we saw that’s all that we could really do With not much left to say, we started our goodbyes As I watched her walk away, I finally realized… All this time I’ve been wondering what I should have done Playing out different endings in my mind But sometimes love’s only perfect for a certain place in time Life won’t let your heart rewind Lyrics	Rewind Credits Lyrics and music by JJ Benson & Steven Maldonado Meven - Lead vocals JJ - Keyboards & background vocals Rick Lay - drums & percussion Robert Wright - bass & background vocals Bryan Pyzer - guitars Produced, engineered, mixed and mastered by Robert Wright Notes The conclusion to the story first told in "California King" (from 2002's "For All Intent & Purposes"), this song describes the surprisingly anticlimatic lack of emotion felt by the subject when he unexpectedly reunites briefly with the ex for whom he's spent so many years pining, regretting and wondering. He quickly learns that it's much easier to romanticize the past when we don't attempt to relive it. The band intended to work this song out in rehearsals for 2004's "Temporal Bliss," but the song fell flat after repeated efforts to pump life into it. Meven and JJ shelved the idea temporarily, but still believed in the strength of the lyric and melody. They revisited the song in 2006 with fresh ears & eyes and added a 2nd-half to the first verse, then brought it to the new version of the band during rehearsals for Edge of Content. With a blank canvas stylistically on which to paint this lyric/melody, the band instantly fell into a much funkier approach this time around, spurred on by Robert's twist on the bassline to the bridge of The SOS band's "Take Your Time (Do It Right)". Highlights: Rick's swinging subtle drum fills; Robert's layered backgrounds during the bridge and chorus vamp; Little B's Prince-inspired rhythm parts and JJ's rhodes noodling over the outro. Info
7.	Whoever It Is		Whoever It Is Whoever It Is (Music & lyrics by Steven Maldonado & JJ Benson) ©2005 Whoever it is that's led you to this Who's slithering in to a place in your head I should call home I don't wanna know about him - I sure don't wanna hear about him Whoever he is, I don't wanna know We used to be so in love - staying up all night on the phone Always knew what was on your mind, but now I look in your eyes and I don't know This ain't my imagination, but it's something I just can't put my finger on Stayin' out late again - say you're hanging with your friends and you say "don't wait up"… Whoever it is that's led you to this Who's slithering in to a place in your head I should call home I don't wanna know about him - I sure don't wanna talk about him Whoever he is, I don't wanna know Maybe this is just a phase, maybe it'll fade away in time and maybe if I tell myself that there ain't nobody else, it'll all be fine They say what you don't know won't hurt you, so baby wontcha leave me in the dark They say that ignorance is bliss so if ignorant is what this is, call me stupid if you want… Whoever it is that's led you to this Who's slithering in to a place in your head I should call home I don't wanna know about him - I sure don't wanna hear about him Whoever he is, I don't wanna know If you think it's best to get this off your chest, baby please tell someone else Whoever it is - yeah, whoever it is whoever he is, I don't wanna know If I'm jumping to conclusions, baby you should certainly understand When I think back to how we met, maybe I just can't forget I used to be that other man Whoever it is, yeah whoever it is Whoever it is, whoever it is, whoever he is... Phone rings, wrong number - That's what he said, but I know better Phone rings, wrong number - That's what he said, but I know better Phone rings, wrong number - That's what he said, but I know better Lyrics	Whoever It Is Credits Lyrics and music by JJ Benson & Steven Maldonado Meven - Lead vocals JJ - Keyboards & background vocals Rick Lay - drums & percussion Robert Wright - bass, additional lead vocal & background vocals Bryan Pyzer - guitars Produced, engineered, mixed and mastered by Robert Wright Notes An idea that generated in Meven's brain during an extended love affair with Marc Broussard's "Carencro" CD, this song explores the band's bluesier side and provides an environment for Meven to display more gritty, soulful vocals than the band's music usually requires from him. The reason for the seemingly insecure paranoia of the subject's skepticism and doubt about the fidelity of his lover is explained in the final prechorus of this extended Addiction-style-blues-jam. (ie: one can never be fully secure in relationships that are formed through a web of deceit and betrayal). Highlights: Meven's uber-soulful vocals, JJ & Little B's bluesy solo tradeoffs and Robert's scorching vocal answers to Meven during the crescendos at the end. Info
8.	I Couldn't Say No		I Couldn't Say No I Couldn’t Say No (lyrics & music by Steven Maldonado & JJ Benson) ©2005 I'm singing - she's watching somehow we're both pretending this something's not anything Nobody suspecting - the dots they’re not connecting because I'm wearing this ring I wasn't the navigator - not the negotiator I didn't even know where we were going We took the elevator - she pushed accelerator a million miles an hour straight up I couldn't say no - oh oh oh, no... I couldn't say no - oh oh oh, no... I keep on debating about this choice we're making it's time I reclaim control Tonight I'll resist her and when she moves in, I'm not even gonna kiss her I've gotta end this after the show but she's a great persuader, and like a “Now & Later” only an hour later I can still taste her ‘cause when she's on her knees, it's like she's born to please and I'm a slave who must obey her I couldn't say no - oh oh oh, no... I couldn't say no - oh oh oh, no... She’s like a drug I keep injecting though I know it’s not right Why can’t I learn to just say no? I couldn't say no - oh oh oh, no... I couldn't say no - oh oh oh, no... Lyrics	I Couldn't Say No Credits Lyrics and music by JJ Benson & Steven Maldonado Meven - Lead vocals JJ - Keyboards & background vocals Rick Lay - drums & percussion Robert Wright - bass, trumpet & background vocals Bryan Pyzer - guitars Produced, engineered, mixed and mastered by Robert Wright Notes Another tale of lies and infidelity, this song serves as a married entertainer's desperate rationalization for his continuous inability to resist the advances of one particular "fan" at his shows. The sexually charged lyrics are energized by Rick's thumping 60's style floor-tom & snare backbeat and Little B's tremolo'd low-notes "surfer guitar" approach. Highlights: Little B's twangy solo circa 1963 amidst a backdrop of drums, horns and cheering crowd. Hidden in the mix are further audio references from Albert Brooks' "Modern Romance." Info
9.	Detox	Play	Detox Detox (music & lyrics by JJ Benson & Steven Maldonado) © 2004 Four in the morning – tossing and turning I’m staring through bloodshot eyes sweating, shaking, puking you out, I’m still trying to drown out the sound of all these memories surrounding me and breaking me down… I need to stay as far away from you as I can I need to stay as far away from you as I can I need to detox if I wanna find myself again I need to detox I burned all our pictures but I can’t erase all the memories burned in my mind but the person you make me is not who I should be and I can’t keep living this lie where all these memories are surrounding me and breaking me down… I need to stay as far away from you as I can I need to stay as far away from you as I can I need to stay as far away from you as I can I need to stay as far away from you as I can I need to detox if I wanna find myself again I need to detox Lyrics	Detox Credits Lyrics and music by JJ Benson & Steven Maldonado Meven - Lead vocals JJ - Keyboards & background vocals Brian Haley - drums Josh Merritt - bass Bryan Pyzer - guitars Produced by The Addiction Engineered by Ben Phillips and Stephen Gause Mixed and mastered by Robert Wright Notes An ode to the moment when one becomes aware of how toxic a bad relationship can be (and the need to fully escape it to get over it), "Detox" makes The Addiction's apropros analogy between substance addiction and relationship addiction. Each can be equally destructive. The melody and lyric to the hook first came to JJ a few years ago, and he brought it to Meven to help flesh it out after the release of "Temporal Bliss" in '04. The band recorded the song with Ben Phillips and Stephen Gause before Robert and his engineering/producing/mixing talents entered the picture. Upon Robert's arrival and the decision to record the remainder of Edge of Content with Robert at the helm, the finished tracks were acquired from Ben and mixed/mastered by Robert. Highlight: the intensity of the buildup as the band drives home the hook one last time in the final chorus. Info
10.	End Is Beginning	Play	End Is Beginning End Is Beginning (Music & lyrics by Steven Maldonado & JJ Benson) ©2005 The end is beginning – the start of our love’s demise The drain’s been pulled, the water’s spinning I can see it in your eyes It’s like that smell before a storm, where you can tell it’s gonna rain And though you’re not yet out the door, I already feel the pain The fat lady hasn’t started singing But she’s walking to the stage The plot’s no longer thickening and I don’t wanna turn the page Our end is beginning and though you’re still on my mind It’s the bottom of the ninth inning and we’re five runs behind You haven’t said a thing But I can sense it in your touch Something’s missing when you kiss me Like it doesn’t mean as much Our end is beginning - I don’t wanna say goodbye But I see the writing on the wall, and I know the choice will not be mine La la la la la la la – la la la la la la la La la la la la la la – la la la la la la la The credits haven’t started rolling, but the screen is fading black And though you haven’t even left yet, I already want you back The end is beginning – the start of our love’s demise The drain’s been pulled, the water’s spinning I can see it in your eyes It’s like that smell before the storm, where you can tell it’s gonna rain And though you’re not yet out the door, I already feel the pain And though you’re not yet out the door, I already feel the pain And though you’re not yet out the door, I already feel the pain Lyrics	End Is Beginning Credits Lyrics and music by JJ Benson & Steven Maldonado Meven - Lead vocals JJ - Keyboards & background vocals Rick Lay - drums & percussion Robert Wright - bass, trumpet & background vocals Bryan Pyzer - guitars Produced, engineered, mixed and mastered by Robert Wright Notes Another lament on love gone wrong, Meven and JJ explore dozens of analogies between the looming end of a relationship and the looming end of nearly everything else that ends in life. The marraige of sad lyrics with happy music was the goal here, and the latin Bolero groove complete with mariachi horns and hootin/hollerin' fiesta partygoers helps achieve that goal quite nicely. Highlight: Meven and JJ's lounge-singer-ish vocals; Rick's jalapeno-spicy hand percussion and Robert's mariachi trumpet melodic replies. Sometimes sad topics can be silly, and this one is quite silly indeed. Info
11.	Last Kiss Goodbye		Last Kiss Goodbye Last Kiss Goodbye Words & music by J.J. Benson © 2004 Although the words remain unspoken, I know what’s weighing on your mind Before hearts start getting broken, I need to say goodbye There’s a space deep down inside your heart that I wanna occupy but I can’t make you see how good it could be if somebody else is still on your mind so close your eyes – don’t say a word there’s nothing left to hide baby just hold me close before I go I wanna savor this – one last kiss…goodbye With the grace of an angel, you swept in and stole my heart There’s so much I still wanna share with you that it’s tearing me apart I can see that you’re not ready for love and you’re afraid to get too close You need the time and space to figure it out and so it’s best if I just let you go so close your eyes – don’t say a word there’s nothing left to hide baby just hold me close one more time before I go I wanna savor this – one last kiss…goodbye Let’s not make this any harder than it has to be Time will tell if you and I are meant to be so close your eyes – don’t say a word there’s nothing left to hide baby just hold me close one more time before I go I wanna leave you with this to remember me by one last kiss before we say….goodbye Lyrics	Last Kiss Goodbye Credits Lyrics and music by JJ Benson Meven - Lead vocals JJ - Keyboards Produced, engineered, mixed and mastered by Robert Wright Notes Sometimes love requires you to make the difficult decision to let go of someone you care about because it's what's best for the both of you. This heartfelt ode to that moment was written by JJ in 2004, and the band agreed that it was best served by a minimalist, intimate rhodes/vocal approach. The stamp on the end of the CD encapsulates the running theme of discomfort and pain with regard to love/relationships, but the bridge provides a glimmer of hope for something better...the possibility of actually finding contentment rather than always standing on the edge of it. Highlight: Meven's vocal delivery from the first moment of this song to the last. Info

Third independent CD from Nashville-based The Addiction arrives! Another hook-heavy dose of soulful pop/rock, the 11-song collection marks the celebration of the band-formerly-known-as-groove-addiction's 8th year together. Order it NOW right here on this site or follow the link to cdbaby.com.

Temporal Bliss

Credits

1.	Big Mistake	Play	Big Mistake When you came into my life, your life was in pieces Nothing ever right and you couldn't find a peace of mind always feeling so alone One too many lies, you knew you couldn't trust him He was always leaving you home waiting by the phone for a call that'd never come You'd grown tired of being the only one trying to make it work when you finally met a guy who could make your life much better now all the time that I can't get back - words said I wish I could erase turned out to be a waste Today you chose to let me go Touche - that's all I need to know I guess you buy the lie he's changed, well it'll be too late when you come back around to say you've finally figured it out that your big mistake is the one you made right now you just made a big mistake Guess I bought a used car that I could never steer just a one-way ticket to a place I'll never call home when you said you were in love You told me that I'm everything you've ever wanted but you're the type of girl who never knows what she wants you say you do, but then you don't With the way we met, I suppose I should've guessed that I'd end up your knight in shining foolishness eight months and sixteen days, now all you've gotta say's "goodbye" Why should I be surprised? Today you chose to let me go Touche - that's all I need to know Guess I came in 2nd place, well it'll be too late when you come back around to say you've finally figured it out that your big mistake is the one you made right now you just made a big mistake Please don't you worry 'cause fate and destiny just threw a curve to me I won't end up sorry for what I chose to do Will you? with the way we met I suppose I shoulda guessed that I'd end up your knight in shining foolishness eight months and sixteen days, now all you've got to say's goodbye why should I be surprised? Lyrics	Big Mistake Credits Music by JJ Benson. Lyrics by JJ Benson and Steven Maldonado. ©2004 Notes We've been compared a lot to Maroon 5 since their ascent to superstardom, and the similarity is probably most prevalent on this song. A kiss-off to a female who makes the wrong choice (are any of our songs about females HAPPY?), this one is most likely the lead single. Listen for the creepy low voice doubling Meven waaaay back in the mix during the chorus. Studio trickery is fun shiznit. Info
2.	Cliche	Play	Cliche She wants her body like the hotties from the posters on the wall straight perfect teeth -- too white, tight bootie not too short and not too tall Gotta be just like her friends -- fashion trends direct from the tv screen where everything you see and wanna be is the cover of a magazine it'll change in a minute, but you're cool while you're in it you're never ever gonna get it - until you open up your eyes when you're all alone and looking in the mirror can you ever be cool with what you see when everything that you do - everything that you say ain't a bit of it true - you're just a walking cliche everything that you do - everything that you say ain't a bit of it you - you're just a walking cliche You've got the look, you've got the hook that's sure to help you be a star so you imitate and emulate to fabricate some sense of who you are Like everybody else, whatever sells is what you're trying to be allow your mind to be defined by what you see on MTV it'll change in a minute, but you're cool while you're in it you're never ever gonna get it - until you open up your eyes when you're all alone and looking in the mirror can you ever be cool with what you see when everything that you do - everything that you say ain't a bit of it true - you're just a walking cliche everything that you do - everything that you say ain't a bit of it you - you're just a walking cliche Lyrics	Cliche Credits Music and lyrics by JJ Benson and Steven Maldonado. ©2002 Notes Meven & JJ wrote this song in the car on the way to a gig in Mississippi. Frustrated with the CONFORMITY that happens too often in the music industry (and the world in general), they vented through this catchy pop/rock confection. Interesting sidenote: JJ's 5-year old niece loves to sing along to this song, and thinks the hook in the chorus is "you're just a walk in the shade". Info
3.	Freedom Sunday	Play	Freedom Sunday With the poison pen in hand, Jodi signs on the dotted line thinking back to what they had in another space and time when they were young and in love, they said they'd never give up thought their love was enough to hold it all together tested their luck on the coast of Sunset Bay now they're cutting the ties, Jodi's dotting her "i's" any tear that she cries wouldn't change her fate today...no way for all the sacred promises that were lost along the way she tries not to think as she pours another drink with a silent toast to her freedom sunday Although they both were much too young, nothing could've changed their minds and she found out much too late what nobody hopes to find when the waters get rough and there isn't enough unconditional love to hold it all together where do you turn when the passion fades away? now with tears in her eyes, she's finally realized all the secrets and lies are what led them here today... for all the sacred promises that were lost along the way she tries not to think as she pours another drink with a silent toast to her freedom sunday Lyrics	Freedom Sunday Credits Music and lyrics by JJ Benson and Steven Maldonado. ©2002 Notes This song came together in 2002 at the end of sessions for our first CD; we wrote it when it was too late to add it to that album. Frustrating. But we hung on to it and reworked it a little with more of a reggae feel thanks to Little B's input and it turned out to be a highlight of the new CD. Sometimes you just have to be patient and wait til you get the chance to record a song; even if it takes 2 years. (We just wrote a GREAT new song called "Detox" just a little too late to add to the new CD. Sense a pattern here?) Info
4.	Don't Build Me Up	Play	Don't Build Me Up I can see it in your eyes - you're fantasizing I'm perfect Don't wanna be a compromise when you discover I'm human I can't make you happy and be all you need if we are all that's happening in your life and though I won't ever hurt you intentionally there's flaws in me that I'm not gonna hide don't build me up, I'm just a man just be my girl, don't be my fan I might screw up and that's the breaks - I'm bound to make mistakes don't look to me to fill a void and if I can't, don't be annoyed I'm just a man - please understand...don't build me up I can hear it in your voice - you think that I'll be your savior and leave me with no other choice with such dependent behavior I can't make you happy or be all you need if we are all that's happening in your life together 24/7 we never should be if we want our love to stand the test of time... don't build me up, I'm just a man just be my girl, don't be my fan I might screw up and that's the breaks - I'm bound to make mistakes don't look to me to fill a void and if I can't, don't be annoyed I'm just a man - please understand...don't build me up Lyrics	Don't Build Me Up Credits Words and music written by JJ Benson and Steven Maldonado. ©2003 Notes The hook to the tune was written by Meven and brought to JJ to help finish. This was originally intended to be an upbeat pop/funk tune, but in early rehearsals for the CD, it just wasn't coming together. We were about ready to give up on the song, but bassist Josh Merritt said the melody & hook was strong and we should keep trying. He suggested we slow it down half-speed and do it as a mid-tempo song, almost a ballad. We tried it and all fell in love with the new feel of it; suddenly the song made sense musically. HUGE props to Josh for his flawless instincts and musicianship. We feel this song has a old-school retro soul feel to it; if you hear echoes of Al Green's "Let's Stay Together" and the Eagles' "I Can't Tell You Why", we achieved our goal on this one. Info
5.	Identity	Play	Identity If you can't see it, you're the type who won't believe it so conceited - and yet so easily defeated I'm not confined by blind false prophesy I'm not defined by those who cannot see you and your type may only buy the hype and you never see the possibilities but no matter what you do - no matter what you say you're never getting through to what you cannot take away... what the hell makes you think you're gonna steal my give it up cause you can't - though you're gonna try step off, step off - you'll never steal my I-D-E-N-T-I-T-Y what the hell makes you think that you'll steal my give it up cause you can't - though you're gonna try step off, step off - you'll never steal my I-D-E-N-T-I-T-Y I can take it - I know you think I'll never make it but you'll awaken to find that you have been mistaken I'm not confined by blind false prophesy I'm not defined by those who cannot see when it all comes true, you'll brag about how you knew all along that I had what it takes but no matter what you do - no matter what you say I'll keep on staying true to what you cannot take away... what the hell makes you think you're gonna steal my give it up cause you can't - though you're gonna try step off, step off - you'll never steal my I-D-E-N-T-I-T-Y what the hell makes you think that you'll steal my give it up cause you can't - though you're gonna try step off, step off - you'll never steal my I-D-E-N-T-I-T-Y Lyrics	Identity Credits Music by Brian Haley, Michael Ripoll, Steven Maldonado and JJ Benson. Lyrics by JJ Benson and Brian Haley. Notes Drummer Brian's first serious foray into writing, the years he's spent on tour with Toby Mac can be felt in this heavy funk/rock mix written in 2004. Brian came up with the basic groove and guitar riff with talented friend Michael Ripoll and laid down the basics; then he brought it to JJ and Meven to help create a melody and lyrics. This song REALLY came to life in the studio, getting stronger and tighter with each layer. This rocks harder than anything we've ever done, and is likely to surprise our fanbase a little. That's always a good thing. Keep ya on your toes. Info
6.	Mr. Lucky	Play	Mr. Lucky Everybody seems to notice when I'm walking by probably thinking "how I wish I could be with that guy" I try to look the other way - pretend that I don't notice it don't wanna seem like I'm vain every girl may look at me and think I'm unapproachable but it's probably better that way cause I've never been in love with anyone else nothing can compare to the way I love myself no one else deserves what I've got to give nobody but me Look at me - I know you wanna be me can't you see how amazing I am? I make me so very happy it's tough to be Mr. Lucky See my body - it takes a lot of work to look this fine just like Shakespeare had to work for every perfect line can't letcha see what's underneath - I know you couldn't handle it it's just a lesson I've learned Like a moth to a flame, people feel my gravity but then they always get burned cause I've never been in love with anyone else nothing can compare to the way I love myself no one else deserves what I've got to give nobody but me Look at me - I know you wanna be me can't you see just how flawless I am? I make me so very happy it's tough to be Mr. Lucky cause I've never been in love with anyone else nothing can compare to the way I love myself no one else deserves what I've got to give nobody but me Look at me - I know you wanna be me can't you see just how happenin' I am? I make me so very happy it's tough to be Mr. Lucky Lyrics	Mr. Lucky Credits Music by JJ Benson, Steven Maldonado and Brian Haley. Lyrics by JJ Benson and Steven Maldonado. ©2003 Notes The groove in the verse was hanging around for about a year before we turned it into a song; it was a regular soundcheck goof-off groove we'd do to get warmed up. Suddenly it became a song. Meven and JJ laughed hysterically the entire time they wrote the lyrics. (We sincerely hope everyone GETS the joke). The chorus' "na-na-na-na-na" hook was Brian's idea - a very catchy idea at that; the vastly different feel to the chorus, prechorus and verse somehow still fit together. Info
7.	Foolish Move	Play	Foolish Move Don't think you can walk back into my life like you never walked away don't think you can nonchalantly say the words I've longed to hear you say Don't try to look into my eyes, don't wanna hear you say my name Don't try to touch my hand and kiss me as if everything's the same don't think you can walk back into my life like you never walked away Don't think you can waltz back into my world like I could easily forget as if we could recreate the passion that we felt when we first met Don't think I can sit here next to you without it feeling a little strange after all this time has passed and now that everything has changed don't think you can walk back into my world like you never walked away It wasn't easy, but I've finally gotten over you Now suddenly you're sitting here with me and it's clear to see just how easily I could get weak and make a foolish move... If you're gonna walk back into my life like you never walked away if you're gonna nonchalantly say the words I've longed to hear you say as you look into my eyes and I hear you say my name as you touch my hand and kiss me as if everything's the same if you're gonna walk back into my life, don't ever walk away if you're gonna walk back into my life, don't ever walk...away Lyrics	Foolish Move Credits Words and music by JJ Benson Notes This song is not only a true story, it was written just minutes after the girl who is the subject left JJ's house after a SEVERAL month absence from his life (nearly a year?). She drove away, he sat at the piano, and this song just instantly appeared. Inspiration is a crazy thing indeed. And yes, in case you're wondering, he did make that "foolish move". Sucker. But not for long. (She's long since vanished from his radar). We purposely kept the production very minimal and stripped down on this song so as to keep the focus on Meven's vocals and the catchy Beatlesque melody. Info
8.	Superficial		Superficial When it comes to my relationships, it ain't the typical thing that turns me on It ain't about the cash that you flash, girl that ain't class or what VIP list that you're on Cause you look good don't mean you're sexy, baby if there's no beauty in your soul girl it's my guess if you'd redefine success you might find what you keep searching for don't get perspective on your assets, baby they'll soon become your liabilities think it's all about you, girl you don't have a clue can't see the forest for the trees... ain't that superficial - why you gotta act a fool? just cause you drive a big fancy car, baby that don't make you cool ain't that superficial - looks don't count for much when your beauty fades and you find that a human touch ain't that superficial Girl, I ain't diggin' on all that attitude don't care what side of town you're from I'm not impressed with your Donna Karan dress why don'tcha put that thing back on? don't get perspective on your assets, baby they'll soon become your liabilities think it's all about you, girl you don't have a clue can't see the forest for the trees... ain't that superficial - why you gotta act a fool? just cause you got a phat bank account, baby that don't make you cool ain't that superficial - looks don't count for much when your beauty fades and you find that a human touch ain't that superficial it ain't just your body that makes you a hottie nice tits & ass never gave a girl class it ain't about her clothes or who she knows behind the beautiful smile, she's gotta have...style Lyrics	Superficial Credits Words and Music by JJ Benson. ©2003 Notes Our ode to shallow, superficial, plastic girls (hence the mannequins and barbie dolls on the CD artwork) and our need for something MORE. Seen enough of that; need something deeper. Inspired by Prince and that Minneapolis funk, this one is made even funkier by the sweet horn stylings of Chuck Shumacker. Info
9.	29 Days	Play	29 Days You don't have to worry about me calling you anymore or thinkin' bout what to say if I showed up at your door...not anymore I know I gotta try to put you outa my mind I make it through the days okay, but it's always so much harder late at night...with no end in sight They say that time will heal the heart and I'll forget it all how I wish that were the case But it's been 29 days since you left me out here in the cold 29 days since the last time I saw your face 29 days to get used to sleeping here alone since you left without a trace...29 days I remember all the nights with your body next to mine to taste your kiss and see you stare into my eyes.. I wonder if you miss me - do you think about it too? I know I need to let it go, but I just can't get over you -- what should I do? I wish my phone would never ring, cause every little thing just reminds me of the truth... that it's been 29 days since you left me out here in the cold 29 days since the last time I saw your face 29 days to get used to sleeping here alone since you left without a trace...29 days Baby - I just gotta know - why'd you have to go? I need you baby, need you baby... Lyrics	29 Days Credits Words and Music by JJ Benson. ©2002 Notes This song was written in late 2002 and the lyrics are fairly autobiographical (about the same ex who resurfaced to inspire "foolish move" several months later). Groove Addiction's big power ballad, this song was tracked when Donnie was still in the band, so his vocals can be heard as part of the velvety-smooth background harmonies. Take note of Little B's Neal Schon/Steve Lukather-ish passionate searing guitar solo; a personal fave of the band. The epic power ending was inspired by Prince's "The Beautiful Ones" and is intended to include a little G-N-R's Slash's guitar tone as we bring it home. We hope our musical interpretation of this song complements the lyrics in a way that makes you FEEL its passion. Info
10.	Slide My Way		Slide My Way I went to the school of Stevie, Prince and Steely Dan got my daily dose of funk and rock & roll Learned by listening to the best musicians in the land when they still ruled the radio but now – drums replaced by loops & drum machines image takes the place of melody songs with substance – few & far between idols manufactured on t.v. Are you feelin’ me? (oh oh) Are you hearin’ me? (oh oh) gotta make ‘em see (oh oh) the groove ain’t going away Are you feelin’ me? (oh oh) Are you hearin’ me? (oh oh) to the industry (oh oh) when you gonna slide my way? Three-minute lessons in songwriting taught by John & Paul schooled in attitude by listenin’ to the Stones Marvin, Elton, Miles & Zeppelin, Sly & the Family Stone taught me all I need to know but now – drums replaced by loops & drum machines image takes the place of melody songs with substance – few & far between idols manufactured on t.v. Are you feelin’ me? (oh oh) Are you hearin’ me? (oh oh) gotta make ‘em see (oh oh) the groove is here to stay Are you feelin’ me? (oh oh) Are you hearin’ me? (oh oh) to the industry (oh oh) when you gonna slide my way? Lyrics	Slide My Way Credits Music by Brian Haley, Bryan Pyzer, Chris Dauphin and JJ Benson. Lyrics by JJ Benson Notes This song is another great idea that began with Brian. Collaborating with friend Chris Dauphin, Brian came up with the groove/concept to the verse and chorus, and again utilized Michael Ripoll to help him track it so he could communicate the idea effectively to the rest of the band. We all instantly loved it. Meven and JJ came up with a melody, but toyed with several different lyrical concepts and had a rough time nailing down what the song should say. During rehearsals, Little B came up with the smokin' Lenny Kravitz/Aerosmith-ish bridge, which we all loved. When sessions began for the CD, we still didn't have lyrics for it, but we recorded it anyway and hoped we'd get inspired by the time we got to tracking vocals. JJ found that inspiration just in the nick of time and came up with a lyrical concept everyone liked. Meven really takes this one to another level with his unique vocal stylings in the bridge. Also listen for Brian Haley's voice during the prechorus ("wha?" "ooh" "oh no!"). Great idea that could have only come from Brian! Info
11.	Before That Night		Before That Night It was the first Saturday in September the night was getting ready to rain A single moment I'll always remember my life was never gonna be the same I'd never believed in forever - just lovin & leavin' no time for grievin' I never said "never say never" when it came down to the topic of love Before that night - I'd never met a woman like you before that night - I'd never met a woman like you I don't mean to sound so dramatic but if you knew me, you would understand why I was cruisin on automatic I've never been a sensitive guy But something had always been missing act like I'm happy, but I'd never been happy spent all my life merely existing I hadn't learned a thing about love Before that night - I'd never met a woman like you before that night - I'd never met a woman like you Lyrics	Before That Night Credits Music and Lyrics by JJ Benson and Steven Maldonado. ©2003 Notes This one is Meven's simple ode to his girlfriend Amanda; he and JJ purposely set out to write simple lyrics, a simple melody and simple chords. Originally intended to have an atmospheric techno groove underneath it (we wanted it to be a song you could be listening to in the car and suddenly realize you're going 90 miles an hour), it took a turn musically when everyone in the band brought their energy to it in rehearsal. In the style of Sade's band, this song shows the jazzier, softer side of groove addiction - along the same lines as "Spaceship In A Bottle" from the first record, this song provides an ideal bed for Rick to lay his tasteful percussion spice over the top. Special thanks to Chuck Shumacker for adding a nice touch with the sax flavor throughout. Info
12.	Senseless Heart	Play	Senseless Heart If I could take back every kiss I ever gave her If I could take back every tender word I said and turn back the clock to the first time that I saw her and change my path so that we would've never met... If I had never touched the passion deep inside her If I had never seen her gaze into my eyes If I had never let my heart and soul believe her, maybe now my fate wouldn't face such compromise tell me how to make these memories go away and how to make myself stop missing her since I couldn't make her stay Senseless heart - when will you stop from hurting? you've done all you can do, told her all she needs to know Senseless heart - give up this hopeless yearning there's a time for holding on and a time for letting go If I had never heard her tell me that she loved me maybe now I wouldn't long to hear her voice If I had known that I would end up here without her mabye then I could have made the safer choice If I could take back every precious moment wasted finding comfort in the softness of her touch Maybe now I wouldn't know what I've been missing if I had never let her presence mean so much... tell me how to make these memories go away and how to make myself stop missing her since I couldn't make her stay Senseless heart - when will you stop from hurting? you've done all you can do, told her all she needs to know Senseless heart - give up this hopeless yearning there's a time for holding on and a time for letting go if I could take back every kiss I ever gave her... Lyrics	Senseless Heart Credits Music and Lyrics by JJ Benson. ©2002 Notes This song should speak for itself; a heartbreaker that was very personal and real for JJ when he wrote it -- Meven makes this song truly his own with the standout vocal performance on the CD. Tasteful arrangement and understated playing from everyone on this track (if we do say so ourselves, lol) help to drive home the sincerity of the lyrics. Info

2004 CD from Nashville-based Groove Addiction -- another diverse mix of pop, rock, funk, jazz & soul, the 12-song collection provides a little something for everyone. Order it NOW right here on this site or follow the link to cdbaby.com.

For All Intent and Purposes

Credits

1.	California King	Play	California King ’94 in July on a hot night – top down, cruisin’ town in the Mustang first kiss dead-stopped at a green light, things we said stayin’ awake til the sun came up – shared dreams staring back from a coffee cup we found our answers waiting in your bed Getting lost on a trip to Graceland, spent the night at the Mojo Inn drank too much red wine and danced to “Hey Nineteen” Looking back now I can’t recall words said – why it had to fall apart …seems so long ago (oh) I wonder what she’d say if she knew that sometimes I still think about you It’s not that I would change a single thing, but sometimes the memories start me wondering… Do you still sleep on that California king Do you watch the same t.v.? Do you wake up at a quarter-to-three just to tell him about your dreams or do you dream of me? Times change but I’m still doing alright – wild nights makin’ love by the moonlight long gone with the Mustang that seats only two… Someday when you hear this song, will you think back & wonder what went wrong? will you even tell him that it’s written ‘bout you? (oh) I wonder if you think about it too, and does he take good care of you? I’m not saying we should change a single thing, but sometimes the memories start me wondering… Do you still sleep on that California king Do you watch the same t.v.? Do you wake up at a quarter-to-three just to tell him about your dreams or do you dream of me? Lyrics	California King Credits Music by JJ. Benson, Lyrics by J.J. Benson & Steven Maldonado, © 2000 Notes Ahhh...a song reminiscing about an old flame and the many happy memories created on her large bed. Most people have a "one that got away", and even if you're happy now, you may wonder "what if" from time to time. This is largely a true story, with a few embellishments here and there; we were especially proud to give a reference nod to Steely Dan - one of our big influences. (we acknowledge them again, along with other great idols of our past, on "Slide My Way" from the new CD). This song officially got the "spank" treatment from Kelly. We had high hopes for the catchy & strong hook of this song to help us land a record deal, but alas, it was not meant to be. Not YET, anyway. Info
2.	Words	Play	Words Music & lyrics by J.J. Benson, rap by Steven Maldonado © 2002 don’t come to me with same old story bout how you’re sad ‘cause your new man treats you bad you’ll get no sympathy from me – not a bit when you only dig men that treat you like shit, girl nice guys droppin’ like flies trying to date you; they keep on tryin’ but they can’t get through cause they don’t leave you hangin’ by the phone feelin’ all alone and now you wonder what’s wrong (get a clue) she says she wants a man who’ll take her by the hand – give her love, try to understand her damn, think again, yo oh – I don’t think so, no…I really really don’t think so she says she wants a man who’ll always treat her right – give her love, be there every night ha, yeah right oh – I don’t think so, no…I really really don’t think so It’s just words – if you don’t back it up with action It’s just words – settle for less & you get what you deserve it’s getting’ tired, the same little song & dance – how every guy just wants to try to “get in your pants” and once they do then they’re through with you, but that’s the only type of guy you ever give a chance to you get bored when they’re too nice but you want a good man, let me give you some advice, girl what you do keeps coming back to you; ain’t nothin’ gonna change til you do she says she wants a man who’ll take her by the hand – give her love, try to understand her damn, think again, yo oh – I don’t think so, no…I really really don’t think so she says she wants a man who’ll always treat her right – give her love, be there every night ha, yeah right oh – I don’t think so, no…I really really don’t think so It’s just words – if you don’t back it up with action It’s just words – settle for less & you get what you deserve (rap): I can’t believe that you’d come and tell me ‘bout a guy you went out with last night who ain’t treatin’ you right - who’s the third in a week on your bum loser streak I’m not weeping or crying, but damn, am I dying you just don’t recognize there’s a man by your side who’s always been there I’ve been drying your tears – can you face all your fears and own up to the verse that the words you rehearse are just words?…they’re just words…they’re just words… Lyrics	Words Credits Music & lyrics by J.J. Benson, rap by Steven Maldonado © 2002 Notes This one's for the "good guys" out there who are always getting the shaft. An empowerment song for men, if you will. Funkyass bass playing by Josh on this track, and our first hint at an edgy side during the bridge/breakdown. Props to Terry Grant for the record scratching & samples. Info
3.	A Day in the Life		A Day in the Life I woke up, hit the snooze, and hit the snooze again 6:15, that’s when it seems like that button’s my only friend spent an hour – in the shower, got distracted ‘cause I started this song damn, I bet I smoked my last cigarette…every morning something goes wrong once again I’m driving – barely survivin’ - it’s always the same old routine movin’ too slow while some dork on the radio tries to be my morning caffeine… Oooh – it’s just a day in the life Oooh – it’s just a day in the life Punching in…late again - “Good morning” “How ya doing?” “Not bad.” passing time until five, hurry home and tomorrow I’ll do it all again once again I’m driving – barely survivin’ - can’t ever keep my foot on the gas it’s the same old routine – packed in like sardines are we moving too slow or too fast?… Oooh – it’s just a day in the life Oooh – it’s just a day in the life Lyrics	A Day in the Life Credits Music by J.J. Benson, Lyrics by J.J. Benson & Steven Maldonado, © 2000 Notes JJ toyed around with this musical concept (chords & melody) for awhile before presenting it to Meven. Together they started writing lyrics without a complete vision of where they were going -- just jotting down every detail in a boring workday. By the time they got to the chorus, suddenly the song had purpose. Still a favorite to perform live among the band, the buildup at the end provides an opportunity to really cut loose. Info
4.	Spaceship In A Bottle	Play	Spaceship In A Bottle she’s got freezer-burned emotions she’ll sell you happiness – a kind she’s never found she’s like an angel when she’s flying but heaven help her…if she ever hits the ground she may seem like a silicone June Cleaver but deep inside she’s more like the cast of Diff’rent Strokes behind those perfect almond eyes the danger lies in darker secrets left untold – her daddy called her baby, and her baby calls her bitch and everybody wonders why she’d ever want to leave… but tonight she’s got a spaceship in a bottle she’s gonna leave this place behind ‘cause maybe there’s a better view of this world from another place – in another space and time she’s got a gravity around her so many envy what they think her life must be but would they choose the prize behind door number two if they could look inside and see – her daddy called her baby, and her baby calls her bitch and everybody wonders why she’d ever want to leave… but tonight she’s got a spaceship in a bottle she’s gonna kiss this place goodbye ‘cause maybe there’s a better view of this world from another place – in another space and time Lyrics	Spaceship In A Bottle Credits Music and lyrics by J.J. Benson and Steven Maldonado, © 2000 Notes Several members of the band consider this the best song from the first CD, and apparently many fans do as well based on the comments we've gotten over the last two years. There has been so much debate and question about the true meaning to this song, we think it's best to simply leave it open to interpretation. Info
5.	Magic 8 Ball	Play	Magic 8 Ball I’m just your random, average nice guy there ain’t much hype about my type – I ain’t that fly can’t get a girl to think of me twice I’m just too nice – I need advice – that’s no lie… whoever said that sex is better with a partner they must’ve never slept with me maybe I’m just down ‘cause she skipped town & left me hangin’ black crystal ball, what do you see? is she sleeping alone tonight – ‘cause she won’t answer the phone is some other guy holding her tight – while I sit here alone (with my) Magic 8 ball – what’s my destiny - will she ever come back to me? Magic 8 ball – I’m desperate, you see - what’s your answer? what will it – what will it be? I don’t have that element of mystery you might regret that what you get is what you see I think she dumped me ‘cause I don’t like to fight I drink Bud Light every night and watch t.v. is she sleeping alone tonight – ‘cause she won’t answer the phone is some other guy holding her tight – while I sit here alone (with my) Magic 8 ball – what’s my destiny - will she ever come back to me? Magic 8 ball – I’m desperate, you see - what’s your answer? what will it – what will it be? (shake it up – shake it up) “ask again later” (shake it up – shake shake) maybe I should (shake it up – shake it up) will I ever date her? (shake it up – shake shake) “outlook not so good” Lyrics	Magic 8 Ball Credits Music by J.J. Benson, Lyrics by J.J. Benson & Steven Maldonado, © 2001 Notes For this song, Meven and JJ decided to step into another persona -- that of a hopelessly dorky dude who is a miserable failure with the women (I know -- not much of a stretch, huh?) He's desperate to win back his girlfriend and turns to his trusty Magic 8 Ball to give him the answers to his fate. Rippin' guitar solo from former GA guitarist Marshall Moody on this one, and Rick laid down a great garbage can solo in the breakdown. Interesting sidenote: the crowd noise and handclaps were done by JJ, Meven, Brian and Meven's girlfriend Amanda. Over & over. And layered. One take after another. JJ's 5-year old niece, after hearing the lyric "I ain't that fly", asked "why did he eat a fly?" Info
6.	Just Be	Play	Just Be babe I know you’ve yet to draw your first breath in this world don’t even know if you’re gonna be a little boy or a girl I think it’s wise to apologize before you open your eyes for all the things you’re gonna have to face before you’re ready… - don’t ever feel rejected – if u see hate, don’t be infected - don’t be ashamed to be yourself in spite of pressure to be like everybody else - don’t try to grow up too fast; let your innocent last - don’t be afraid to just be… just be honest – even when it’s easier to lie try to think positive – those times when all you wanna do is cry just be faithful – to all the people in your life in all u do, just be true to you-know-who and you’ll be…alright Sixth grade they learn the safe way to have sex junior high they gettin' high on x join a gang ‘cause their role models do the same it ain’t a sega game – guns goin’ bang bang lost souls – whole generation takin’ pills to get thru, gettin' by on the cheap thrills don’t let it sink in, under your skin – protect your soul from the feel-good spin… - don’t lose your sense of self-respect, love ain’t just about sex - form your own opinions based on fact – think before u react - don’t take your eyes off the goal – knowledge is the power that feeds the soul - don’t be quick to judge – try to spread love… just be honest – even when it’s easier to lie try to think positive – those times when all you wanna do is cry just be thankful – for all the people in your life in all u do, just be true to you-know-who and you’ll be…alright just be giving – even when there’s nothing left to gain try to be sensitive – to other people’s pain do the right thing – even when nobody wants to do the same in all u do, just be true to you-know-who and you’ll be…okay Lyrics	Just Be Credits Music and lyrics by J.J. Benson, © 2001 Notes Most of you already know the story about this one, but we'll sum it up for you quickly here: Meven, on the verge of becoming a father, talks to JJ about the enormity of how much his life is about to change. (By the way, yes, this was long before the band Creed hit the scene). Meven suggests to JJ that he'd like to try writing a song to his unborn son, though the task seemed daunting. JJ and Meven part ways for the evening. The idea weighs heavy on JJ's mind overnight, and the next day, JJ suddenly becomes inspired. JJ calls Meven. Meven is not home. JJ starts working on the song. By the time Meven returns JJ's call, the song is finished. Meven comes over, hears song, says he doesn't want to change a single word. So there you have it. This is the song Meven wanted to write for his son Ethan, but JJ beat him to it. We've had many positive comments from friends and fans about the inspiration they've found in the lyrics to this song, and that makes ALL of this worthwhile for us. Everyone in the band brought their awesome energy to the studio and helped make this song a standout on the CD. Info
7.	Lemon Pie Tangerine	Play	Lemon Pie Tangerine Came home and sat at my piano - poured myself a glass of cabernet Amarige still lingerin’ on my jacket - I had so much I wanted to say she may not see that we belong together or maybe it was just because she’s too afraid so I dimmed the lights and searched for inspiration & thought “when she hears this I’m gonna have it made” I tried to write some words to win her over looked deep inside myself to find that clever phrase blank paper speak to me – cause I’ve got nothing cool to say Lemon pie tangerine …tangerine… Countless nights I’ve sat at that piano pouring out my heart onto the page sculpting lines that conjure up emotion to make you feel my love or taste my rage It wasn’t this hard when I wrote that song about Leah or the ones about Rachel, Amy, Heather or Jane I knew I could feel something real and one good line woulda’ helped me find it and I’d reel her in with the big refrain… I tried to write some words to win her over looked deep inside myself to find that clever phrase blank paper speak to me – cause I’ve got nothing cool to say Lemon pie tangerine …tangerine… Lyrics	Lemon Pie Tangerine Credits Music by J.J. Benson, lyrics by J.J. Benson & Steven Maldonado, © 2001 Notes A song about writer's block (something all too familiar) and lack of inspiration about a female come together in a bluesy, doowop, gospel mix on this very unique track. We've been asked countless times what "Lemon Pie Tangerine" means. We don't know. But it's catchy. Read the rest of the lyrics and figure it out. Info
8.	Ditty Jack		Ditty Jack hey girl, can I buy you a drink, or should I let you buy mine? you seem too cool, and it’s making me think you ain’t falling for the typical line don’t get me wrong – I’m not all about the physical - I wanna get to know your mind but in that dress, girl you sho’ nuff ain’t invisible I must confess – I’ve got one thing on my mind ditty jack – baby, c’mon c’mon, wanna ride it all night long ditty jack – baby, c’mon c’mon, wanna ride it all night long hey girl, maybe I should explain just what I want us to do it’s the D to the I to the T T Y – you feel my kiss upon your thigh and then I taste the very essence of you you need to know – I’m not into something casual - that’s always easy to find we could become an impression so indelible – I’ll rock your world while you’re blowin’ my mind ditty jack – baby, c’mon c’mon, wanna ride it all night long ditty jack – baby, c’mon c’mon, wanna ride it all night long jack u to the left – jack u to the right, jack u in the morning - wanna jack u all night jack u to the front – jack u from the back c’mon pretty baby, dontcha wanna ditty jack with me (rap): like Nicolas Cage in “Zandalee,” I wanna shake you naked & eat you alive you’re like a peach, I wanna eat ya -- and like a leech, I wanna suck you dry even the sweat drippin’ down your thigh - kiss my love I’ll kiss your flower minute for minute – hour for hour this ain’t your typical one-night stand, I wanna wake up in the mornin’ and do it again and again…I ain’t like other men, thinkin’ for the night and not the lifetime I’m just thinkin’ maybe now’s the right time…to ditty jack with you… Lyrics	Ditty Jack Credits Music by J.J. Benson, Lyrics by J.J. Benson & Steven Maldonado, © 2000 Notes Our apologies. (Let's just say this first collaboration from Meven and JJ shows that some writing teams need to work out the kinks before they really find their stride.) Info
9.	Mr. I Don't Know	Play	Mr. I Don't Know they oughta call you Mr. Hypocrit – prince of counterfeit every word sticky-sweet with compassion, ‘cause that’s the latest fashion and so you cash in.. you had the chance then to rearrange now your time’s running out & ain’t a damn thing changed can you say it’s getting better when everyone’s a debtor? So much to do, so much to say, so many promises still left to break, but hey- it’s okay, they’ll look the other way and smile when they say you were king for a day are you still gonna feel our pain when there’s nothing left to gain? are you still gonna feel our pain when there’s nothing left to gain? This is the day of the tired cliché; it ain’t what you do, it’s what you say and everybody is a prostitute – it’s just how well you can sell it in a three-piece suit so much angst and yet we don’t know why too tired to fight, too dumb to try – I’ve heard your song one too many times, you’re just a game-show host spittin’ worn out lines Define the rules that don’t apply to you, and take a bow for what you didn’t do but hey, it’s okay – who needs the truth? we’ve no right to judge, despite the proof are you still gonna feel our pain when there’s nothing left to gain? are you still gonna feel our pain when there’s nothing left to gain? Oh, oh – Mr. I don’t know (Mr. I don’t know) Oh, oh – Mr. I don’t know (Mr. I don’t know) are you still gonna feel our pain, when there’s nothing left to gain? are you still gonna feel our pain, when there’s nothing left to gain? Lyrics	Mr. I Don't Know Credits Music & Lyrics by J.J. Benson, © 2000 Notes Who is this song about? Mister, if you ask, we'll say we don't know. (We know, but we're not telling.) A throwaway album cut that exists mainly because of the coolest part of the song: the bridge. Listen for the "Fastball" guitar counter melody going on underneath the vocals during the bridge. Fun stuff. Info
10.	Love and Only Love	Play	Love and Only Love (meven):Just cause we share the same color skin don’t assume that I won’t take offense to racist comments whispered under your breath I won’t contribute to your ignorance until you choose to give love a chance you won’t get past the hate with an open heart and an open mind let down your guard – you’ll be sure to find… There’s only one real remedy to heal the wounds that divide us Love and only love will set us free there’s more to me than what you see (Keith): If you see me - out in public with a brother of a different color than me don’t tell your friends that I’m a sellout you don’t know me or what I’m all about until you choose to give love a chance you won’t get past the hate with an open heart and an open mind let down your guard – you’ll be sure to find… There’s only one real remedy to heal the wounds that divide us Love and only love will set us free there’s more to me than what you see love and only love will be there love and only love will be there only love will be there in the end Lyrics	Love and Only Love Credits Music by J.J. Benson, Lyrics by J.J. Benson & Brian Haley, © 2002 Notes A song Brian and JJ wrote after discussing the frustrations of race relations in society today. Roommates and longtime close friends, JJ and Brian had an intimate conversation one night about what frustrates them about their own races when it comes to racism. This concept became the foundation for this song from a lyrical standpoint, and a strong statement the band hopes to advance to a larger audience as we continue on this journey... Our best gigs have been gigs where there is a mix of black and white in the audience, and the music brings everyone together. No animosity, no hatred, no ignorance, no judgement. The civil rights movement ended formal segregation years ago, but too often today we voluntarily segregate ourselves along racial lines and our judgment is too often born of fear and ignorance. The only way to bridge that distance is by each of us reaching out individually, one person at a time. Until you choose to give love a chance, you won't get past the hate. With an open heart and an open mind, let down your guard. You'll be sure to find - there's only one real remedy to heal the wounds that divide us. Love and only love will set us free. Thanks to Keith Floyd for bringing his A-game to the studio for this guest vocal spot. Info
11.	All That I Have To Give		All That I Have To Give I may not be exactly what you had in mind – it’s true I may not have a lot of worldly things to offer you still trying to find my way – I don’t have the answers yet It’s harder every day – I suppose I’m not your safest bet… I may not have the type of looks that take your breath away I’m clumsy with words – I don’t always know the right thing to say but all that you deserve, I hope that I can be ‘cause you make me wanna try to become a better man – a better man than I am to be worthy of a girl like you I’ll love you as long as I live… and although it may not seem like much, it’s all that I have to give all that you deserve, I hope that I can be ‘cause you make me wanna try to become a better man – a better man than I am to be worthy of a girl like you I’ll love you as long as I live… and although it may not seem like much - and I know it may not seem like much and although it may not be that much, it’s all that I have to give Lyrics	All That I Have To Give Credits Words and Music by J.J. Benson, © 2000 Notes A heartfelt piano ballad that (sniff sniff) didn't win over the girl it was written for. She cried when she heard it, but she never did date the composer. C'est La Vie. This was recorded as an afterthought back in '99; Groove Addiction did a recording session at MTSU and after the sessions, there was a few extra minutes left before the next session was to begin, so JJ and Meven seized the moment. In one take, they laid down this song and headed out of the session thinking they'd screwed it up and it wouldn't be worth saving. Months later, they heard it again for the first time and were pleasantly surprised at the honest, sincere delivery. Meven missed a note or two, but something about the rawness of it really spoke to us. After eliciting tears from the first few females to hear it, we realized we were onto something with this one. This same recording was added as an afterthought "bonus track" to our first CD, and it still gets a strong reaction from many who hear it. Brian still insists that this song is an enormous hit song that the world just hasn't heard yet. I guess time will tell if they get to or not. Until then, it's between y'all and us. Info

2002 debut CD of original music from the Southeast's premiere party band. Critically-acclaimed 11-song set is a tight mix of funk, pop & rock that's sure to please even those with the most discriminating tastes. "This multifacted local band have prepared an LP of original material that sounds as thought it were derived from Prince, Steely Dan, and the New Radicals. Their songs are slick, smooth and danceable, with biting socially aware lyrics and an appealingly jazzy guitar sound." - The Nashville Scene